Unsure if he really can pull the trigger, as he looks at a wart-hog down the arrow of a crossbow he faces his beliefs head on and must make the decision. Hearing their arguments in favour of the industry, Louis arranges to go on a hunt of his own. Former vet Lolly Fourie, who allows hunting on his land, explains how he no longer hunts as he gets no pleasure from it nowadays. They take particular care to try to ensure any animal is killed swiftly so they suffer minimal trauma. Two of the local landowners, Piet Venter and Piet Warren, breed animals for hunting and have a perhaps surprising sensitivity towards the animals they've raised. She tells Louis that, apparently, your first kill is a total rush - although she would worry about killing a zebra as it's too much like a horse. He meets novice hunter Ann-Marie, who originally only came to accompany her husband but gets caught up in the excitement and decides she wants to try to hunt an animal herself. Louis meets such visitors and tries to understand their motivation to kill for pleasure, joining them as they go hunting. This is a very popular tourist attraction - particularly among Americans. The potential shopping list is endless, ranging from $250 for a porcupine to $100,000 for a rhino. Staying at a safari hunting lodge, Louis hears that each kill has a price. Keeping wild animals fenced in on farms has made it cheaper and easier to hunt than ever before, but Louis discovers that this industry, instead of endangering species, has actually increased animal numbers. It's big business, attracting thousands of holiday hunters annually. Most importantly, however, the film has also sparked much-needed dialogue and advocacy for victims of rapes - on campus and elsewhere.Louis Theroux journeys to the centre of the controversial South African hunting industry. Though the film has been met with both skepticism and applause, it has also prompted at least 95 on-campus investigations of sexual assault. The Hunting Ground, titled so because of the manner in which college rapes are seen as calculated, premeditated acts against young, vulnerable students, premiered at Sundance in January. On screening tours the pair were repeatedly approached by audience members who saw parallels between the mishandling of military rapes and those on college campuses. The team brought the world of military sexual assault to light in their 2012 award-winning documentary The Invisible War, which exposed the twisted, unethical treatment of sexual assault survivors in active military duty. Kinsman's story, and the stories of many others who are no longer remaining silent about the growing problem, are highlighted in a new documentary, The Hunting Ground, which screens in Santa Cruz and at Stanford this month.įilmmakers Kirby Dick and Amy Zierling are no strangers to the world of misconduct and victim-blaming within institution-related rape cases. Though Kinsman's case garnered widespread publicity because of her perpetrator's status in the college football world, her experience has become a common one among the many women and men who report their rapes on college campuses across the nation. The trauma of the incident, including threats and harassment instead of advocacy and support, led Kinsman to drop out of school. Because the perpetrator was a star on the campus football team and had a bright future ahead of him, Kinsman watched as her case was mishandled (and neglected by Tallahassee police for 10 months) and the man she accused of raping her after a few drinks at a local bar not only walked free but was praised for his sports performances. In 2012, Florida State University freshman Erica Kinsman was repeatedly told to “think twice” before naming her alleged rapist when she reported the assault to campus authorities.
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